Donny's Blog

Aesthetic standards of low culture stress substance, form being totally subservient, and there is no explicit concern with abstract ideas or even with fictional forms of contemporary social problems and issues. preference for action and melodrama world divided into heroes and villains sexual segregation male action drama - fight against crime, saving society from a natural disaster (clear issues) hero is sure of his maculinity, shy with "good" women and sexually aggressive with "bad" ones. confessional magazine - conflict between being sexually responsive in order to be popular with men and remaining virginal until marriage. — Herbert Gans All cultural products (especially high culture) have a certain demographic to which they appeal most. Low culture appeals to very simple and basic human needs plus offers a perceived return to innocence, the escape from real world problems, or the experience of living vicariously through viewing someone else’s life on

Culturally, the middlebrow is classed as a forced and ineffective attempt at cultural and intellectual achievement, and as characterizing literature that emphasizes emotional and sentimental connections, rather than intellectual quality and literary innovation; although postmodernism more readily perceives the advantages of the middlebrow cultural-position that is aware of high culture, but is able to balance aesthetic claims with the claims of the everyday world. https://en.wikipedia.org/wiki/Middlebrow Rather than selecting books for their intrinsic cultural value, middlebrow people select and read what they are told is best. Middlebrows are concerned with how what they do makes them appear, unlike highbrows, the avant-garde men and women who act according to their indelible commitment to beauty , value , art , form, and integrity . Woolf said that, "We highbrows read what we like and do what we like and praise what we like". Likewise, a lowbrow is devoted to a singu